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The Oblivion Express

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THE OBLIVION EXPRESS


So, the so-called ‘quiet man’ of the Tory party, Iain Duncan Smith has, somewhat belatedly in life, found something lurking in the recesses of his ice-bound brain - a conscience. Or has he? Is this some ruse to enable him to fade away without the reputation of being the most pantomime-villainous Baron Hardup of modern times, the man who kicks the poor and disabled in the teeth? Shall we all say “Ah, he wasn’t so bad after all…”  Well, IDS, it’s too late for that. Too many of your callous utterances made on behalf of your rich stable mates Osborne and Cameron will not be obliterated by challenging ‘Call me Dave’’s  phoney mantra, ‘We’re all in this together’. Go off and enjoy your millions, slaver over your stocks and shares, happy in the knowledge that the cruel crucible which forged you has plenty of hard cast copies waiting to do the City’s bidding.


   I have spent a lifetime living in hope. Hope for what? Fairness? Equality? Compassion? Consideration? Mutual care? Public Ownership? After George Osborne’s March Budget 2016, how meaningless these concepts seem today. I’ve joined parties, been a shop steward, I’m still a union member, I’ve marched, petitioned, protested, spoke at meetings, written for the press, the lot. I make no apologies for my Socialism. Yet it’s a dream, a figment of a hopeful imagination. I can say this now with confidence because as I approach 73 I am aware that whatever I and thousands like me have grown up believing in and fighting for, it has been steam-rolled flat, ground into the earth by the bulldozer of capitalism. As the tax threshold for the rich is favourably adjusted yet again, to be paid for by cuts to disability benefits, the NHS is savaged by deliberate neglect and vicious propaganda, and the corporate world and parliament squabble among themselves over how much money they’ll make or might lose over Europe, all the rest of us can do is stand by in despair and watch the richest bastards become increasingly richer.
Sure, we’ve got Jeremy Corbyn, but the media will roast him alive if he approaches anything close to success. Murdoch controls the public mind like Orwell’s Big Brother. The hoi polloi are happily distracted from everything around them as they clutch their precious I-Phones and text one another into stupefying oblivion. Why spend a few quid supporting the Red Cross or a refugee charity when you need that cash for your next tattoo? What used to be the proletariat will now happily pay £40 on a Saturday to watch a dozen obscenely paid young men kick a football around, most of them earning more in a week than a nurse earns in two years. We can hoot our car horns in support of striking junior doctors, but that will not faze Jeremy Hunt. He knows his long term covert plans inside out; give his government another term in office after 2020 and the Tory dream of a credit card, private health system can be fulfilled. PFI: Profit from Illness. Cameron told us three years ago that he was aiming for ‘financial transparency’ with the markets. Where is it? It will not happen for the offshore tax dodgers with their accounts in the Virgin and Cayman Islands. That’s a transparency too far. The so-called High Speed Rail Link will cost billions of public money, and for what? So that the same rich, greedy hedonists can travel in comfort between their investments. The ordinary minimum wage earners can scarcely afford the most expensive rail tickets in Europe. And how can a man have a full-time job as Mayor of London yet be an MP at the same time? Boris Johnson seems to manage it. But if you’re working on a production line in a factory, or on a zero-hours contract, try asking your boss if you can knock off at 11 am for four hours to ensure your ‘other job’ is going OK - and see what happens. The 2- job shuffle only works for lawyers, PR gurus and hedge fund managers.



There is another puzzle about the wealthy. HOW MUCH MONEY DO YOU NEED, for Chrissakes? If someone gives you a million as a bonus, usually for failure in your job, how come you also get another million when they fire you, and how come someone else in the City offers you a new job with a golden handshake? How many cars, houses, swimming pools, Bermudan villas, wine cellars and helicopters does it take for you to stop and think - hang on, this isn’t fair! But that’s a four letter word which has dropped away from your lexicon of avarice.

And what happens in America is what eventually affects us here. Joe Public of the USA voted for Obama, and as soon as he took power, his wings were clipped. Yet now they flock in their thousands to pay homage to a loud-mouthed, misogynistic racist thug with the world outlook we imagined had died with Hitler. But that’s fine, because he’s what he needs to be to create an impression with a dumbed-down world - he’s stinking rich. And he will no doubt ascend to the Presidency. Thus will the lunacy of capitalism have its complete and overall victory.


Probably, in the next ten years, if I am lucky, I will expire, and shuffle off this crazy coil into the darkness of oblivion. All I can hope is that in a hundred years’ time, someone will remember that there was always a possible alternative to this world, and that they will scuffle in the ashes to try and discover what it was. But for me, it’s over. I’m sure that will make Cameron, Hunt and Trump very happy indeed. Welcome on board the Oblivion Express. The edge of the cliff is just ahead. 
FEELING POOR, SUCKERS? TOUGH - WE'RE LOADED!

TAMÁM SHUD

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TAMÁM SHUD


The Bizarre Mystery of the Somerton Man

I remember walking through Somerton Park, a suburb of Adelaide in South Australia, back in the early 1960s. The mainly residential seaside suburb is home to the Somerton Park Beach, and whilst enjoying a cold beer there that hot day, I had no idea that this was the location of what remains as the most perplexing mystery in Australia’s criminal cold case records; the enduring enigma of the ‘Somerton Man’, or as they refer to him down under, the ‘Unknown Man’.

In an age of high-tech CSI, DNA and advanced forensic science, we like to think we’re pretty clever at solving murder cases. There’s usually a clear motive, a list of potential suspects soon builds up. Was it the wife/husband? Was there a girlfriend/boyfriend? A mugger, a robber? The starting point is usually the identification of the victim. Yet what happens when absolutely no-one knows whose body it is? This is a mystery laden down with curious clues, hints and false leads, none of which provide an explanation or a conclusion.

Perhaps no-one noticed the smartly dressed middle aged man who stepped from the Melbourne train at Adelaide station at 8.30 am on the morning of November 30th 1948. It had been a long journey. He bought a one-way ticket for the 10.50 am train to Henley Beach, but the ticket was never used. He was carrying a small brown suitcase which he deposited in the station’s left luggage room at around 11 am. At 11.15 am he bought a 7d (seven pence) bus ticket outside the station for a bus going to Somerton, but he got off somewhere along the route. Some researchers suggest that he alighted at Glenelg, close to the St. Leonard’s Hotel. Between 7pm and 8pm that night several witnesses claimed to have seen the man. He stopped somewhere to buy a pasty. This much is known so far. Now the mystery kicks in.

December 1st in southern Australia is regarded as the first day of Summer. It was warm on the evening of Tuesday November 30 when a couple decided to take a stroll along Somerton Beach. John Bain Lyons was a local jeweller and as he ambled along the sands in the direction of Glenelg with his wife at 7 pm, 20 yards away (18.22 m)   they spotted a smartly dressed man reclining on the sand, his head propped up against the sea wall. He seemed quite relaxed with his legs outstretched and crossed. Mr Lyons had the impression that the man might be drunk, as the reclining figure lifted up his right arm which then fell back down. It seemed as if he may have been attempting to light a cigarette, but abandoned the idea. Half an hour later, a young couple were out for a walk along the Esplanade, and they had a view of the beach from above, and the reclining figure was still there with his left arm laid out across the sand. His shoes were clean and well-polished, his suit looked immaculate, yet it seemed an odd sartorial choice as beachwear. He appeared to be sleeping, but with a swarm of mosquitos around his face, inspiring the young man to comment “He must be dead to the world not to notice them…”

But the man on the beach was in the deepest sleep of all. He was dead. The following morning, when the jeweller John Lyons emerged from the sea after a cooling swim, he was joined by two men and a horse as they gathered around the dead man, still in the same position as Lyons had seen him the night before, legs crossed and outstretched. There was an un-smoked cigarette behind his ear, and a half smoked stub resting on his collar. There were no signs of violence.

Three hours later the body was taken to the  Royal Adelaide Hospital, where Dr. John Barkley Bennett estimated the man had died, possibly from heart failure, at around 2 am. There was a dramatic twist, when the Doctor announced that he suspected the man had been poisoned. The dead man’s pockets were emptied but did not reveal much. To begin with he had no cash or wallet. What was found were two combs, a box of matches, a pack of chewing gum, a pack of Army Club cigarettes and seven Kensitas cigarettes. But there was another puzzle. Any maker’s name labels or tags in his clothing had been carefully cut away, and one of his trouser pockets had been stitched with orange thread.

The police had no leads as to the corpse’s identity. The local press reported that the man found on the beach was ‘E. C. Johnson’, but Johnson turned up alive on December 3rd[1]. A full autopsy and a post mortem were carried out. John Dwyer, the pathologist, found a quantity of blood mixed with the remains of the pasty in the man’s stomach. Further examination revealed the dead man had unusually small pupils, his liver was distended with congested blood, and the spleen was three times normal size. With these results, suspicions of poisoning arose. Yet no cause of death was found, and expert chemical analysis on the man’s organs revealed nothing. So who was this dead man? At the subsequent Coroner’s inquest, the evidence of one expert, who had inspected the man’s legs and feet, suggested his well-developed calf muscles and oddly shaped, pointed feet hinted that this man may have even been a ballet dancer.  The cadaver was preserved with formalin and a cast was made of his bust for future examination. The corpse’s fingerprints were taken and circulated around the world, but with no result.

Christmas 1948 came and went with the Unknown Man resting in the morgue. Then, in January 1949, the suitcase he had left at the railway station was discovered. When police opened it, the mystery deepened. There was a reel of orange thread. Of the few items of clothing, the name tags had been removed, but on three the name ‘Kean’ and ‘Keane’ remained. There was a stencil kit, the kind of thing used to stencil names on packing crates, a coat, stitched with a peculiar feather stitching, and a table knife with the shaft cut down, and six pence. Although the names ‘Kean’ and ‘Keane’ looked like good leads, the police could trace no-one, and the local press suggested that the labels were deliberately left as red herrings. Once again the investigation was stalled.

But the strangest evidence, which would give this case its mysterious title, came when the Emeritus Professor of Pathology at the University of Adelaide, John Cleland, was brought in during April 1949 to examine the corpse. Sewn into the waistband of the trousers was what has been referred to as ‘a secret pocket’. It contained a tightly rolled, small piece of paper bearing the printed words, ‘Tamám Shud’.  A reporter for the Adelaide Advertiser, Frank Kennedy, recognised the words as Persian. They were from a popular work written in the 12th century, The Rubáiyát of Omar Khayyám. The two words come at the very end of the English translation by Edward Fitzgerald of this popular book of poetry, after the final verse, and mean, literally, ‘It is over’. The slip of paper appeared to have been torn from a book, and the seemingly fruitless hunt for the original copy began. The police began to suggest that this may have been a suicide. But there was much more yet to come.

In June 1949 the body was buried in a plot of dry ground and sealed under concrete, a precaution in case it needed future exhumation. On July 23rda man from the Glenelg area visited the Adelaide Police station and presented a a very rare first edition copy of Edward FitzGerald's translation of The Rubáiyát of Omar Khayyám published in 1859 by Whitcombe and Tombs in New Zealand.. His odd story was that the book had been tossed into the back seat of his car by persons unknown. The torn extract matched the ripped space in the book. The identity of the man who found the book was kept secret, and has remained so.  In the back of the book police found five lines of letters written in pencil, and a telephone number. The number was that of a 27 year old nurse who had trained in Sydney's North Shore Hospital and now lived not far from where the body had been discovered.  Soon local media began to refer to the mysterious lines of letters as ‘code’. Was our man a spy?

Attention now focused on the new lead, the nurse. Her real name was Teresa Powell, but was referred to by the media as ‘Jestyn’. She appears to be as mysterious as the rest of the case, as her real name was not revealed until 2002. In 1949, when police interviewed her she gave a false surname, ‘Mrs. Thompson’, although it turns out that she wasn’t actually married. When shown the plaster cast of the deceased man’s bust, she thought that it might be a man she knew called Alf Boxall, yet wasn’t certain, although she claimed she once gave a copy of  The Rubáiyát to Boxall at the Clifton Gardens Hotel in Sydney in 1945 when he was serving as a lieutenant in the Water Transport Section of the Australian Army. Apparently she behaved very oddly when questioned, and almost fainted[2]. She need not have worried, because Boxall turned up, very much alive, and he brought his copy of  The Rubáiyát, a 1924 Sydney edition, with him. He knew nothing of the dead man and had no connection to him.

The extensive international publicity[3]rolled on as detectives around the globe investigated, but the man remains, to this day, unidentified. Yet as the Cold War developed, the attention focused on the possibility of poisoning, a favourite weapon in espionage circles,  and the strange ‘codes’ written in the back of The Rubáiyát.  The Adelaide coroner, Thomas Cleland, was informed by an eminent professor, Sir Cedric Stanton Hicks[4]that it was possible that a very rare poison had been used which would have decomposed ‘very early after death’. When Hicks appeared at the court hearing, he stated that the poisons he had in mind were so deadly and secret that he would not speak their names out loud, so jotted them down on a slip of paper and passed them to the coroner. They were digitalis and strophanthin. Hicks suggested the latter as the culprit. It originates from Ouabain, a Somali "arrow poison" which is also named            g-strophanthin,  poisonous cardiac glycoside.Extracts containing Ouabain have long been used by Somali tribesmen to poison hunting arrows[5].

So, who was the Unknown Man and was he a spy? At Woomera, they were testing missiles and gathering intelligence. Our man died in Adelaide, which is the closest Australian city  to Woomera. Many see this as a connection. It is also possible that he caught his train at Port Augusta, which is much closer to Woomera. Then there is the bizarre pencilled ‘code’ in the back of The Rubáiyát. What does it mean?

WRGOABABD

MLIAOI

WTBIMPANETP

MLIABOAIAQC

ITTMTSAMSTGAB



Code specialists around the world, including some of the best intelligence experts, even astrologers, have been wrestling with these random characters for decades, so far, without success.  

There is still an aura of uncertainty around the nurse, ‘Justyn’ and her relationship with Alf Boxall. It seems that Boxall’s army career may also have involved military intelligence. Justyn died in 2007 and some believe that her real name was kept under wraps as it (or perhaps even her nickname) may have been a key to decryption of the ‘code’. Also, according to a 1978 TV documentary[6], when she gave Boxall her copy of The Rubáiyát she had written out verse 70:

Indeed, indeed, Repentance oft before

I swore—but was I sober when I swore?

And then and then came Spring, and Rose-in-hand

My thread-bare Penitence a-pieces tore.



 Just a young, romantic gesture - or something more cryptic?

In 1947, the year before the mystery man alighted in Adelaide, the United States Army's Signal Intelligence Service was carrying out Operation Venona, during which they discovered that the Soviet embassy in Canberra had been in receipt of top secret information leaked from Australia's Department of External Affairs. In 1948 U.S. banned the transfer of all classified information to Australia. Spies would have had to work much harder that year.

The more you dig into the murky undergrowth of Tamám Shud the denser the tangled roots become. For example, three years prior to the death of the ‘Unknown Man’ the body of Joseph (George) Saul Haim Marshall, a 34 year old from Singapore, was found in Ashton Park, Mosman, Sydney in 1945, with an open copy of the The Rubáiyát (reported as a seventh edition by publishers Methuen) laid on his chest. It was recorded that he’d committed suicide by poison. However, Methuen only issued 5 editions of The Rubáiyát, so either this was a reporting error or a copy of the NZ Whitcombe and Tombs edition. It may be some kind of synchronicity or simple loose association, but a quick look on Google Earth reveals that Sydney’s Ashton Park is a short walk from Clifton Gardens. It was in Clifton Gardens, just two months after the dead Marshall was found with a copy on his chest that Jestyn gave Alfred Boxall a copy of The Rubáiyát. So who was Joseph (George) Saul Haim Marshall? It transpires that his brother was the famous barrister and Chief Minister of Singapore David Saul Marshall. Joseph Marshall’s inquest was held on August 151945. A woman testified at the inquest. She was Gwenneth Dorothy Graham. Within a fortnight of testifying,  she was found naked and dead in a bath face down, with her wrists slit.Omar Khayyám seems to have had a lot to answer for.

Also in 1949, as the Adelaide police were still scratching their heads over the Unknown Man, at Largs North, just 12 miles (20km) along the beach from Somerton, where he’d been found, another bizarre case unfolded. A two-year old boy named Clive Mangnoson was found dead, his body in a sack, on 6 June 1949. It was established that the child had been dead for 24 hours. Keith Waldemar Mangnoson, his unconscious father, was lying alongside him. The man was taken to hospital suffering from exposure and weakness, then ended up in a mental institution. Father and son had been missing for four days. It gets even weirder; the two were discovered by Neil McRae, who said he had established their location in a dream the previous night. As with the Unknown Man, the coroner did not believe the boy had died from natural causes.

Then came the revelation by the boy's mother, Roma Mangnoson, that she’d been threatened by a masked man who almost ran her down outside her house in Largs North’s Cheapside Street. The man was driving a battered, cream coloured car, saying that "the car stopped and a man with a khaki handkerchief over his face told me to 'keep away from the police’ or else.'" She believed this to be connected with the fact that her husband had been to identify the Unknown Man at Somerton, who he believed to be someone he had worked with in 1939 named Carl Thompsen. Local dignitaries, including the mayor of Port Adelaide, A. H. Curtis, and J. M. Gower, the Secretary of the Largs North Progress Association received some strange, anonymous phone calls, threatening an ‘accident’ should they ‘stick their nose into the Magnonson affair’. The distraught Mrs. Magnonson was so affected by her meetings with the police that she required subsequent medical attention.

South Australia’s Major Crime Task Force still regard this as an open case. The Unknown Man’s bust is held by The South Australian Police Historical Society, and it contains strands of the man's hair. Unfortunately, after being embalmed the chemicals used may have destroyed much of the DNA. In any case, a recent request to exhume the body was refused. Witness statements appear to have disappeared from police files, and the suitcase found at Adelaide Station and its contents were destroyed in 1986. There have been approaches from people in Eastern Europe who believe the Somerton man might be one of many missing from the area during the Cold War. But it looks as if we may never know who he was and how he came to die on that beach. So let’s give the last word to our 12th century Persian poet, Omar Khayyám;

‘They change and perish all - but He remains…’ Tamám Shud; ‘It is ended.’



FURTHER READING:

ON LINE: As this is an Internet cause célèbre with dozens of links a simple Google of Tamam Shud will give you all you need.

BOOKS:

Feltus, Gerald MichaelThe Unknown Man, Klemzig, South Australia, 2010, ISBN 978-0-646-54476-2.

Greenwood, KerryTamam Shud - The Somerton Man Mystery, University of New South Wales Publishing, 2013 ISBN 978-1742233505

Stephen Kingfrequently refers to this case in his novel The Colorado Kid, which in turn inspired the series Haven.

Notes:



[1] By early February 1949, there had been eight different "positive" identifications of the body. Some thought it was a missing stablehand and two men from Darwin thought the corpse was of a friend of theirs, and others suggested he was  a sailor or a Swedish man. Police from Victoria suggested the man was from their state, as his the laundry marks were similar to those of dry-cleaning firms in Melbourne. Following publication of the man's photograph in Victoria, 28 people claimed they knew his identity.
[2] Retired detective Gerald Feltus interviewed Jestyn in 2002 and found her to be either "evasive" or "just did not wish to talk about it," He agreed not to disclose her identity or anything that might reveal it. Feltus believes that Jestyn knew the Somerton man's identity.
[3]http://trove.nla.gov.au/newspaper/result?l-publictag=Taman+Shud  this site offers a selection of press coverage on the case.
[4]Often mis-named as ‘Stanford Hicks’, Sir Cedric Stanton Hicks came to Adelaide in 1926 after an outstanding student career at the University of Otago in New Zealand, war service and a research studentship at Cambridge. He was appointed Professor of Human Physiology and Pharmacology from 1927, a position he retained until 1958 when he became Emeritus Professor. He was knighted in 1936 for his services to medical science.
[5] A sufficiently concentrated ouabain dart can fell a Hippopotamus causing respiratory and/or cardiac arrest. Only one creature is immune to its effects; the Galapagos Tortoise.
[6]Inside Story, presented by Stuart Littlemore, ABC TV, 1978.






A Complete Hunt

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Yes, suckers - this is about how much I believe in the NHS ...
THE PATIENT'S FRIEND?

BREXIT and the NHS.

As the European ‘stay in’ and ‘opt out’ debate rumbles on, both sides of the argument continue to scrape the bottom of the political barrel looking for scare stories. One of the latest ‘stay in Europe’ campaigners is Health Secretary Jeremy Hunt, who has warned us that if Britain pulled out of Europe then the NHS would be under serious threat. This seems an odd argument, considering that the NHS did quite nicely for a healthy 25 years before Britain joined the EEC in 1973. So why is the man so unpopular with doctors and nurses suddenly posing as the champion and protector of our NHS? What does he really think about Britain’s health service, which, when surveyed by the American Commonwealth Fund, came out top of 17 countries for cost effectiveness, with the American system at the bottom?

If we read Hunt’s comments as the co-author of two books, Direct Democracy and The Plan, we might even question why he’s the Health Minister at all. In one of these books he campaigns for the privatisation of the NHS and the use of a USA style insurance scheme. He mockingly refers to the NHS as "the national sickness service". He also states "Our ambition should be to break down the barriers between private and public provision, in effect denationalising the provision of health care in Britain." He refers to the organisation he is in charge of as “a 1940s monopolistic structure no longer relevant in the Twenty-first Century." Yet now Jeremy Hunt tells us that the NHS is safe - provided we stay in Europe.
HAVE YOU FOUND HIS HEART YET? NO ... IT SEEMS TO BE MISSING.

Like most of his cabinet colleagues, Jeremy Hunt is a millionaire with personal worth listed as £4.8 million. He knows that if Barack Obama manages to conclude the Transatlantic Trade and Investment Partnership (TTIP) with Europe before he leaves office, then the corporate world can move into Europe with mergers and takeovers, and one of the juiciest morsels the international bankers are seeking is the NHS. Hunt is already a 49% shareholder in the £35 million education listings firm, Hotcourses. As the man in control of our NHS, should the global players get their hands on it, he’ll no doubt have a top seat on the board. None of these TTIP deals can be interfered with by EEC nations because they will be covered by an investor state dispute settlement (ISDS) system, under which corporations can legally challenge decisions made by governments. In short, if we issue laws democratically to protect our NHS, the corporations can take us to court and we have no right of appeal. Is this why Hunt wants us to stay in the EEC?

If so, have your credit cards ready. Based on average American health insurance figures, here’s a sample of what you could end up paying with a privatised UK NHS:


Ante-natal care: £20,000.
Ante-natal care with ‘C’ sections £35,000.
A broken arm: £3,200.
Hernia: £4,200.
Breast cancer treatment starts at £16,000 ...
and if you need brain surgery, £75,000.
AND THERE'S NO LOYALTY POINTS CARDS, EITHER.




URGENT MESSAGE To All British People

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BEHIND THE HYPE:
BE CAREFUL WHO YOU VOTE FOR.


The video below, URGENT MESSAGE To All British People seems pretty convincing and manages to hide its political identity behind some good old-fashioned British jingoism, as personified by that late, batty old interstellar traveller, Patrick Moore. Moore was a true British eccentric and a very entertaining character, but there’s a lot of the old ‘Colonel Blimp’ about him. Making our minds up over how we vote in the EEC Referendum on June 23rd is extremely difficult and frustrating, because from my unashamedly Socialist viewpoint, it is confusing that Cameron, Hunt and Osborne want to stay in whilst the equally obnoxious Gove and Boris Johnson and other assorted right wing band-waggoneers want out. So if your grasp on UK politics is not as strong as it might be, watching this video with its ‘sensible’ presenters and sinister undertones could well lead you to the ‘Out’ vote. Yet it makes sense to see who all these presenters are and what their beliefs and backgrounds are.

CHRISTOPHER BOOKER (left) and the others are all involved in some way with either UKIP or the ultra-right-wing Freedom Association. This organisation has been virulently anti-trade union and supported Apartheid in South Africa. Booker himself is a Climate Change nonbeliever. He also campaigned that asbestos was not harmful, and that passive smoking was not a  health risk, and he believes in the same things US ‘born again’ evangelists believe - creationism and intelligent design. Yet he was one of the founders of Private Eye magazine, which gives us pause for thought. Most of the members of the Freedom Association are right wing Tories, such as
Chief Executive Simon Richards, (above) and one council member is the man who hates the BBC, culture secretary John Whittingdale. The female journalist in the film, Lindsay Jenkins, (right)
has worked for US and UK Investment banks and the Ministry of Defence. Freedom Association Director Ray Broomfield is another right wing Tory with links to Theresa May. Christopher Gill is ex-UKIP and a former Tory MP, and Trevor Colman (below) was a Police Superintendent 1962-95 and a UKIP MP until 2014. There are all sorts of suspicious right wing political links here, such as the Taxpayer’s Alliance which perfectly justify the sinister soundtrack music.

However, doomy though this all is, it still doesn’t help a political mind to settle on a decision. I can see the advantages of leaving the EU, but does this mean I’d be aligning myself with this bunch of closet brownshirts? Jeremy Corbyn wants us to stay in. So explain yourself, comrade - what do we get? One point in the film is the cumbersome size of the EEC today, and this was filmed before the idea that Turkey might come on board. And if Obama gets the Transatlantic Trade and Investment Partnership, now generally known as TTIP signed off (it’s all being discussed in secret - no democracy there, then, or Cameron’s promised ‘transparency’) we might well lose the NHS. TTIP is primarily a deal to cut tariffs and regulatory barriers to trade between the US and EU countries, making it easier for companies on both sides of the Atlantic to access each other's markets. Industries it would affect include pharmaceuticals, cars, energy, finance, chemicals, clothing and food and drink. If we try and introduce our own legislation, for example, to prevent corporations buying the NHS for privatisation, the corporate lawyers can take our government to court and we have no power of legal sanction. Is this why Health Minister Jeremy Hunt wants us to stay in the EEC? He’d get a good place on the privatised NHS Plc private board! Maybe this fact alone is enough to vote ‘out’, but I still haven’t made up my mind, although I did vote against joining in 1973.
So, enjoy the video. Eat your heart out, Hammer Films!

CAN A WEDDING BE GOLDEN?

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23.4.1966 - 23.4.2016
FIFTY YEARS TOGETHER

Is fifty years a long time? Perhaps, if you say it’s ‘half a century’ or take into account our biblically allotted lifespan of three score and ten. Maybe being married for fifty years has made the time pass more rapidly. Marriage has its own agenda and momentum; it demands commitment, faithfulness, and responsibility. Yet maybe it takes all of fifty married years to realise these requirements.

That day, April 23rd 1966 dawned damp and dull. With my Best Man and another friend we awoke with hangovers from the previous night’s excesses. I donned my £10 Burton’s suit and we staggered in my unsuitable brown suede shoes through Hull to Quarton’s, the florists, to collect the buttonholes for the guests. Memory does not serve me well. I can’t remember the full scope of what occurred in the registry office. I know people applauded and were stood around, I know we signed registers, and I know we went outside to be photographed in the garden.

The so-called honeymoon, following an embarrassing post-wedding buffet at Wendy’s parents’ house where we were going to live, got off to a bad start. I had booked a weekend in Scarborough, and checked the train timetable. It was all planned, or so I thought. But at Paragon Station the railway ticket office reminded me that I’d looked at the summer timetable, and as it was still April, the summer timetable had not yet started. There was no train to Scarborough to be had, so we went by bus. We felt pretty dumb, flecked with confetti, the conductress issuing affectionate ‘Aaah, bless..’ noises.

After ham and chips at the B&B we went out for a walk through Scarborough and a massive thunderstorm broke out. I wondered if it was some portentous comment on our future together. But here we are, half a century on, me 73, Wendy 69, with five decades of emotional highs and lows behind us. We knew poverty. I tried to be a businessman. I was a labourer. I was a printer, a hospital porter, a salesman, in fact there wasn’t much I didn’t do over 32 jobs. But we always had a warm roof over our heads, the love of a family, and were never hungry. We knew grief when my mother died suddenly aged 58. Then my father, then, in later years, Wendy’s parents.

The crowning moments of our togetherness were the birth of our daughter Sarah in October 1966, and our son Martin in November 1973. But the biggest, darkest tragedy was Sarah’s long struggle with cancer and her death on December 23 2012. This event has burned a hole in the tapestry of our marriage which can never be repaired.


So now what? Dare we hope for 60 years? And if so, what demands will the increasing blight of old age wreak upon us? All we can do now in our dotage is live for each day, accept what life offers, and, as ever, carry on loving one another. As the saying goes; every day is a bonus. Today is one of many.

DEFEND OUR NATIONAL TREASURE

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Mansfield's Kings Mill Hospital

No profit: Just Care, Just People.

As our work-worn physiques begin breaking down, those of us in the older generation need to visit a hospital more often than we’d wish. In my case an overweight lifestyle of drinking and scoffing gargantuan plates of food has resulted in 4 hernia operations, trapped bowels and assorted complications. One of these kicked in this week and I was in some agony. If we believe the constant barrage of anti-NHS propaganda issued from UK Plc’s ‘privatise everything’ media, then rather than passing through the doors of a hospital we might imagine we’re entering the gates of Hell.

Yes, there are long waits in A&E at some hospitals. Yes, some people do spend time lying on trolleys in corridors. On some wards around the country perhaps mistakes are made by staff working exhausting 13 hour shifts. However in my opinion, all the negative hype and deliberate underfunding has one underlying purpose - to destroy the NHS and replace it with a US-style private Insurance system. Those of us who use the service regularly are fully aware that the NHS is one of Britain’s finest surviving world-class social achievements - the other is the BBC, also fighting on under the same sinister commercial intimidation from corporate-minded Philistine politicians.

So having just returned from another spell in Kings Mill Hospital, what can I report? Did the NHS work for me? The negative aspect is that I had to go to A&E simply because my local surgery had no GP appointments available. I was in pain, yet couldn’t see a doctor when I needed one. The receptionist suggested Kings Mill’s Primary Care facility. I telephoned the NHS 111 line first to see if my condition warranted my bothering the overworked staff at A&E. After many questions and answers, the nurse on the line decided I should definitely go to the hospital. At 1 pm I arrived in A&E expecting a wait of several hours, but was seen in 20 minutes. Once in the Primary Care department, I spent 45 minutes with a wonderful, highly skilled nurse who gave me the most thorough examination: blood pressure, temperature, samples taken.
They're not called Angels for nothing ... and they're not looking for my credit card here ...

Still in pain, I knew I might not be going home. She rang the surgical ward, and within minutes I was being pushed there in a wheelchair. The ensuing 24 hours were a textbook example of medical routine, care and attention. The ward was subject to a cavalcade of honest care. Conscientious nurses, two junior doctors followed by the no-nonsense superiority of the consultant surgeon. Ladies brought tea, coffee and food from the impressive cosmopolitan menu. I was in overnight for observation. I slept well. The pain subsided, I went home. I’ll return soon for a scan.

     Therefore I conclude; in Britain’s increasingly unequal society created by the privileged rich, our NHS survives as a true bastion of equality. When that nurse takes your temperature and your pulse, she’s not checking your bank balance or credit card. She’s sharing the basics of humanity; care and compassion. The NHS, created by and for the people, still belongs to us all. Perhaps those initials stand for something else; the National ‘Humanity’ Service. Respect, support and defendit - don’t let them steal our last national treasure.

FLYTIP NATION

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Litter at the end of our street, 11 am, Monday May 23rd 2016.
Hope you had a good night, guys.

LITTERBUGS AND BUSYBODIES


ASBOs - remember them? In terms of anti-social behaviour in Mansfield, I call Sundays and Mondays ASBO days. Living in the town centre, close to numerous clubs and pubs, we find Friday, Saturday and Sunday nights make central Mansfield a no-go area for grown-ups. It’s also the time  when the takeaways do their best business, as bawling, immature feral drunks stagger though their midnight delirium in search of kebabs, pizzas and burgers. Probably due to an intoxicated lack of co-ordination, half of what they buy misses their noisy mouths, and is destined for the pavement, along with the packaging which held it, despite litter bins within sight. And so, on Monday mornings, I have go out with my bin bag and grabber and collect the cans, bottles, half-eaten pizzas, scattered chips, noodles, fag packets and assorted prawn crackers carelessly thrown down by these anonymous nocturnal inebriates. On the one occasion I did see litter being tossed on my pavement, using the most diplomatic reasoning I could, I challenged the culprits, only to be threatened with maximum potential violence. This is what you can expect in modern Britain; a good kicking or even a knifing for daring to engage in dialogue over something as prosaic (to them, at least) as turning your town into a shithole.

It seems that in Mansfield, once you’ve had a few beers, dropping your rubbish is your God-given right, wherever you are. If you’re one of those people who can’t abide this anti-social criminality (there’s still a £2,500 fine for littering), and give up your time to clear up the mess, you’re regarded as some kind of interfering old busybody with nothing better to do. Well, that’s me, guilty as charged, m’lud - I just like living down a clean street. It makes one wonder; when these irresponsible oafs finally blunder into their own homes, do they throw the remains of their meals onto the living room floor, or toss the packaging into their gardens? Or were they brought up in a skip? 

Britain is the second dirtiest country in Europe - only Serbia beats us for rubbishy streets. Despite numerous powers and responsibilities for local councils enshrined in legislation,  litter remains an issue of  public concern, with levels of littering and fly-tipping failing to reduce substantially. Campaigns aimed at changing public behaviour don’t seem to work. Keep Britain Tidy places a £1 billion plus annual price tag on managing litter and its knock-on impacts nationally. The website litterheroes.co.uk drove along 1 mile of country lane and found 147 items of litter including 40 drinks cans, 30 plastic bottles, 20 bits of fast food litter, 20 crisp packets, 20 chocolate bar wrappers, 10 Cigarette packets, 6 Carrier bags and 1 hub cap (there’s always a hub cap). So it is hardly surprising that this ‘let somebody else clear it up’ mentality reaches its pinnacle with fly tipping, perhaps the most disgusting offence of them all.

If you’ve any pride in your civic environment, the only answer is to be a busybody. Pick it up, bag it, bin it. But whatever you do, don’t challenge the perpetrators - you too could end up on the pavement.

RUNNING ON EMPTY

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RUNNING ON EMPTY

The Hollywood Reporter recently gathered together six leading New York literary agents to share their thoughts on the publishing industry today. You can see this fascinating hour long discussion on line at www.litrejections.com/agents-roundtable/. One of the agents, Eric Simonoff of the WME agency, recalled one author’s letter which accompanied his MSS. It read; “Dear Mr. Simonoff, it would be an egregious lack of judgment for you to represent me; let me outline ten reasons why…” The writer got a deal. For literary health and safety reasons, I wouldn’t recommend you try this method, but I wish I’d known about it some years ago when agents and publishers still paid attention.
    I’ve heard a lot over the years about ‘writer’s block’ yet it’s not a condition I’ve ever had to contend with. The ideas keep coming, the fragile flame of hope that I can continue to make a meagre living still flickers, and without a daily target of words I feel lost. However, as with all occupations, physical or desk-bound, there comes a time when, imperceptibly at first, age, cynicism and lassitude begin to wear you down. As the literary landscape around you begins to change, a feeling of despair and isolation sets in. After a dozen published books, (deals mostly negotiated without the aid of an agent) countless magazine features, radio and TV work, to paraphrase Groucho Marx I’ve worked my way up from nothing to a state of extreme obscurity. I still write every day, but when it comes to optimism, I’m running on empty.
   It’s a common whinge among us older scribes that writing and publishing aren’t what they used to be. Technology may have initially seemed like a liberator, yet it has also become a destroyer. In the ancient era of the typewriter, a re-write of a day’s work would have taken you just that - a day. Now, on screen you can zip through it in a couple of hours. This ought to have freed up more time for human interaction, but the reverse is true. Good manners and communication in the field of publishing have been eroded almost to the point of non-existence.

I was struck recently by seeing a facsimile of a rejection letter from Faber and Faber dated July 13 1944. It was addressed to George Orwell, a whole page and a half, around 500 words, telling him why Faber wouldn’t be publishing Animal Farm. It was signed by T.S. Eliot. Of course, Orwell was an important writer, yet it was the gentlemanly thoroughness of the rejection which stood out. Eliot and Faber’s directors had actually readthe MSS. The two-page typewritten response was detailed, reasoned, helpful. Time had been taken to assess and evaluate a submission. One has to wonder, in the age of the ‘slush pile’, what might have happened to Animal Farm today.


   Needless to say, I’m no Orwell, just a jobbing old hack minus an academic past. With three GCE ‘O’ levels and a fascination with history, I set out to be a writer in the 1970s with no idea how to get into print. Yet even then, three decades after Animal Farm’s rejection, with all my futile romantic hopes and grammatical shortcomings, even a vain would-be wordsmith was allowed to communicate with the commissioning editors of the publishing world. When I tried to write a book in 1971, a history of an obscure Yorkshire railway line killed off by Dr. Beeching, no less than the managing director, David St. John Thomas of the publishers David and Charles, wrote to me a few days after receiving my pitiful MSS with a two page critique of my work and style, with pointers as to how I could improve the work, and encouraging me to keep on writing. In that same year, when I wrote an article on spec for the Observer, the editor of the Business Section, Anthony Bambridge, not only wrote me an uplifting letter, but telephoned me to thank me for my submission. And he printed it. At that time my work was being featured on BBC Radio 3 on a show called The Northern Drift. The producer was the late, legendary Alfred Bradley. He even agreed to meet me in a pub in Hull, where we sat for over two hours as he offered me advice.
   Fast forward to the so-called ‘age of instant communication’, 2016. Two months ago I sent out 7 detailed proposals, four to TV production companies and three to publishers. Return postage and envelopes were enclosed, the submissions all backed up by e-mails. The result to date is … zilch. For nine months last year, as instructed by an interested publisher, I re-wrote a children’s novel five times until they were happy. Then silence fell. I badgered them: eventually they said that their ‘budget wouldn’t allow taking my work on at this time’. Would they have told me had I not kept at them? No. Today more than ever, time is money, and no-one has any to spare. Magazines, newspapers, publishers, the BBC, today all are infected with this courtesy by-pass, where good manners have been burned on the corporate bonfire. That said, I did encounter one pocket of ‘old school’ good manners when I wrote to Ian Hislop with a TV documentary proposal. He actually wrote back, in longhand, telling me he was ‘too busy’ but wishing me luck.
   Of course, it is quite possible that after 40 years of work perhaps my ideas and my creativity have run their vague commercial course. However, I still fall back on Thomas Edison’s dictum; “Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.”    
David St John Thomas died in his sleep on 19 August 2014 at the age of 84 while on a cruise in the Baltic. I shall remember him and Alfred Bradley fondly, because something good died with them; the human etiquette of response and considerate correspondence.


Article 2

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http://www.rlf.org.uk/showcase/jack-of-all-trades/

THE LEAVE CAMPAIGN PROPAGANDA QUESTIONNAIRE

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This set of questions and statements (in red) was posted today on my FaceBook page. This propaganda bludgeoning assumes that the recipient (a) reads only the tabloid press (b) has no grasp of history and (c) has spent no time at all assessing the situation. I have not made up my mind about the EU, but this kind of gung-ho 'send a gunboat' jingoism demands a hasty response. here's mine.

If you want to surrender your sovereignty vote in.
The UK’s sovereign is the Queen over Parliament.  Sovereignty means rightful status, independence, or prerogative; the Queen still has these as does Parliament. Only just under 30% of laws since 1973 have originated in the EEC. We’ve been making our own main laws steadily over the past century, otherwise there’s be no Parliament or House of Lords.
 If you want uncontrolled immigration vote in.
This is a fair point, but we have something the rest of Europe doesn’t have - the English Channel. And we’re all immigrants anyway; Normans, Romans, Vikings, Anglo Saxons, Indians … it’s our own fault over the past 300 years for having an empire and a commonwealth. We robbed a third of the world and gave them passports in return.
 If you want to suffer under foreign rule vote in
We DO NOT ‘suffer under foreign rule’.
 If you want to lose your culture vote in.
What culture is this? Morris Dancing? The thugs of the English Defence League?
A full English breakfast?  Chicken Biryani? Crispy Duck?
 If you want to destroy your heritage vote in.
You can’t ‘destroy a heritage’.  Our heritage already exists - it’s part of our history and character.
Only Dr. Who can destroy the past.
 If you want to see the NHS crumble vote in.
Once the NHS is free of the European Health Directive do you really believe Hunt, Gove and Cameron will cancel their desire to privatise it? It’s their ultimate dream ticket, in or out of the EU.
 If you want to see the last remnants of our industries disappear vote in.
Mrs. Thatcher didn’t like the EU either, but she did a fairly good hatchet job on destroying our industries. Its British Tory politicians who have achieved this by selling everything off, and Britain
Voted for them.
 If you want to see our education system collapse vote in.
The government already want to privatise education by making every school a commercial academy. Out of the EU they’ll be able to destroy education at a much faster rate.
 If you want to lose everything your forefathers fought and died for vote in.
We already voted for this in several General Elections which were nothing to do with the EU.
 If you want to be swayed by traitorous politicians vote in
They’re all ’traitorous’ - the in crowd and the leavers.
 If you want to be part of a federal superstate vote in.

What the hell is a ‘federal superstate’ anyway? We’ve been a member for 40years

 If you want to keep your head in the sand vote in.
There’s already a lot of UK heads in the sand already; there has been since 1979.
 If you have suffered the indoctrination of the media vote in

Oh, this is a good one; so YOU haven’t been indoctrinated then?

 If you have no idea about the reasons to vote out watch #Brexitthemovie
Er, I’ll pass - I think that’s part of ‘media indoctrination’ too.
 If you want to lose Great Britain vote in.

How can you ‘lose’ a country? Is Germany ‘lost’? France? Spain?

 This is the last chance to save this country from destruction.
According to this, then, as we’ve been in the EU since 1973, we’re already destroyed?

YES, I WILL REGISTER TO VOTE. YET I HAVEN’T MADE UP MY MIND YET. BUT THAT’S BECAUSE
I’M NOT A VICTIMOF 'MEDIA INDOCTRINATION'.

Dúo del Mar - Falla's Danza de la Vida Breve (recorded at the Palau de l...

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BEAUTY, SKILL, SHEER EMOTION. THIS IS WHY I LOVE SPAIN'S MUSIC.

BLUE ROOTS

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‘Ye Blews’

Blues means what milk does to a baby.
Blues is what the spirit is to the minister.
We sing the blues because our hearts have been hurt,
our souls have been disturbed.
Alberta Hunter

As waggish musicians are wont to say,
‘You should always have a W. C. Handy’

Whilst jazz was simultaneously emerging in New Orleans and Chicago, like all music at the time, the only way you could hear it was by being there at a live performance, or by taking advantage of the huge, burgeoning printed sheet music industry and playing the popular tunes yourself, at home. Yet towards the end of the 19th century, something exciting happened.
       Emile Berliner (1851–1929) was a German-born American inventor, and alongside all the other attempts at recording sound, such as his own cylindrical machine, which he dubbed ‘the gramophone’ in 1887, (a system already in use via the machines of the equally inventive Thomas Edison), in 1888 he managed to surpass cylinders by using discs. Yet such devices were still, for many, simply fascinating playthings.

However, Berliner persisted and managed to sell his new disc-based technology, albeit at first to toy manufacturers. But in 1895 he succeeded in raising a substantial investment of $25,000, and with this he established the Berliner Gramophone Company. Even as Berliner continued to burn the midnight oil in his workshop, coin-in-the-slot, sound-reproducing machines, perhaps the earliest form of juke box, were becoming a popular attraction in amusement arcades, and as early as 1890 the New York Phonograph Company opened the first recording studio.
Putting music on a disc was one achievement, but trying to stabilise the speed of the turntable was a different challenge.
So Berliner teamed up with Eldridge R. Johnson, an engineer, who designed a clockwork spring-wound motor. In 1901, Berliner[1]and Johnson knew that together, they had something impressive, so they joined forces. The Victor Talking Machine Company was formed.
      By 1902, recordings were being made by performers sitting in a studio, playing into the large horn of a gramophone. The recordings were made onto thick wax discs. By 1902 the immensely popular operatic celebrity, Enrico Caruso, essentially became history’s first recording star as one of the earliest performers to embrace the new technology, ‘cutting’ his first record, Vesti le gubba from Pagliacci. It sold more than a million records.

Soon, the hand-cranked Victrola would be superseded by the invention, by Lee de Forest, of the triode, an electronic amplification device having three active electrodes.
      Against the tragic backdrop of the Great War of 1914-18 (although it must be remembered that the USA did not enter the war until April 1917) African American music making had developed into a variety of vibrant styles. Jazz had taken off in the south and as far north as New York and Chicago, and jazz scenes were developing in places as far apart as Kansas City and Los Angeles. All the accrued cultural heritage of struggle and deprivation experienced through two centuries of slavery, the continuing racism, the immense transcendent outlet of the spiritual and various European influences had all fused together to create a new, improvised and uplifting musical form. Cutting its own swathe through this was yet another means of expression. Unlike the spiritual, this wasn’t religious, but secular. This was the Blues.

Like the word ‘jazz’ there are numerous theories surrounding the origin of ‘blues’ as a musical appellation. Its provenance, when studied closely, is quite surprising. Because of the way we now think of the blues it simply sounds too hip and modern for the word to have a history prior to the birth of jazz. We can confidently sidestep the ‘official’ first musical mention from 1912, in W.C. Handy's Memphis Blues because long before Columbus, in Britain as far back as 1385, the adjective ‘blue’ meant ‘low spirited’[2]. There are other historical examples, one quoted in the Oxford English Dictionary (2nd edition) which tells us of it being in use in 1741 for ‘depression, low spirits.’ 

David Garrick in his 'Blews'
outfit, no doubt ...
In that year, the great 16th century actor, David Garrick, wrote in a letter:
      ‘I am far from being quite well, tho not troubled with ye Blews as I have been’[3].
‘The blues’ is also a diminutive of blue devils, bad little demons associated with despondency, depression and sadness. Blue devils have been with us since 1616, from a poetry collection entitled  Times’ Whistle:
      ‘Alston, whose life hath been accounted evill, And therfore calde by many the blew devill’[4].
If we need any further proof of the provenance, in 1798 George Colman the Younger wrote a one act play, set in France entitled The Blue Devils.
      As a musical style, yes, the term ‘the blues’ has been around since 1912, which inevitably takes us to ‘the Father of The Blues’William Christopher Handy (1873 –1958). The first publication of blues sheet music was Hart Wand's Dallas Blues in 1912 but the prominence of W. C. Handy dominates the genre’s history.
 
W. C. Handy
      
As this story deals with the way in which R&B musicians were frequently the victims of appalling treatment and skulduggery over money and royalties, it is a sad fact that such dubious dealings, although mainly the province of some promoters and managers throughout history, should have coincided with the rise of recorded music, and have continued up to this day.Memphis Blues was Handy's third composition, but his first blues. However, it began life as a political campaign song in support of Edward Hull Crump (1874-1954), who was running for Mayor in Memphis in 1909. It was originally an instrumental entitled Mr. Crump, with a bit of a jive/rap vocal thrown in to help ‘Boss’ Crump, one of the early builders of the modern Democratic Party and eventually one of the South’s most powerful politicians, on his mayoral way. The mayoral campaign kept Handy busy all over town, assembling bands and musicians to give repeated performances of Mr. Crump. The lyric seems simple enough:

      Mr. Crump don't 'low no easy riders here
      Crump don't 'low no easy riders here
      We don't care what Mr. Crump don't 'low
      We gonna bar'l house anyhow
      Mr. Crump can go catch hisself some air.[5]

However, even in 1909, almost five decades after emancipation and the Civil War, there are still West African roots here. West Africans always had what were known as ‘songs of derision’, so although Mr.  Crump is a campaign song, it has all the hallmarks of the Southern black man’s penchant for ‘telling it like it is.’ It pulls no punches, yet at least Crump was a ‘straight’ politician, and by all accounts not like the rabid segregationists of later decades. Others in the Crump Camp were more devious.
     
Beale Street, Memphis.
In Memphis, Handy had to pay L.Z. Phillips at Bry's Department Store, the representative of the publisher Theron Bennett, (who was also a notable ragtime composer and musician) for the printing of the first sheet music edition, 1,000 copies, of Mr. Crump. Phillips had convinced Handy that he was only printing the music on speculation in the hope it would sell well throughout Memphis. Phillips seemed positive and Bennett, who was visiting Memphis, offered Handy national distribution and exposure, an irresistible deal. Handy, by no means a rich man, was in the shop with Phillips and Bennett when  the initial 1000 copies were delivered. Bennett was still in town a week later when Handy went into Bry’s Department Store to check on sales. Bennett showed him a remaining pile of 1000 copies, suggesting sales were slow. He then suggested that Handy sell him the full copyright to the composition outright. Because of the popularity of the song, this confused Handy, yet what he didn’t know was that the wily publishing duo had actually printed 2,000 copies, and the first 1,000 had indeed sold like wildfire. Still, Handy, thinking he may have written a turkey, agreed to sell his copyright to Theron for a mere $50. In the following weeks, another 10,000 copies, complete with Bennett's imprint, rolled off the presses. Months passed and Bennett sold Handy’s work for a substantial sum to publisher Joe Morris. Adding insult to injury, George Norton, one of Bennett's lyricists, was hired by Morris to add words to the song, a move which Handy considered highly objectionable. 
      Needless to say, but once Theron had bought the copyright, he knew that he’d make a fat profit because there’d be no royalties due to Handy until the copyright ran out. It would be 1937 before Handy could re-claim his highly successful composition, and when he completed his first book on the blues, he had even been refused permission to include the song.[6]
This notorious episode did however convince Handy to form his own successful publishing company, Handy & Pace[7].

      As an early demonstration of the felonious way in which African American performers would be treated by publishers, managers, promoters and record companies, W. C. Handy’s Mr. Crump/Memphis Blues experience is an early milestone of cynical opportunism. It seems poignant that under the revised song’s later title, Memphis Blues, that Handy could pen such a magnanimous verse as:

      ‘Folks I've just been down, down to Memphis town,
      That's where the people smile, smile on you all the while.
      Hospitality, they were good to me.
      I couldn't spend a dime, and had the grandest time’

Of course, there’s always another side to every story. In his book The Country Blues,
Sam Charters
Samuel  Charters writes: ‘Handy later complained bitterly that he was cheated out of the rights to his song, but the man who bought the rights from him was acting in good faith and had as little idea as Handy did the song would become so successful.’[8]
If that’s the case, then Theron Bennett must have been a saint among his peers. As will be seen, the practice of grabbing copyright and composer credits from innocent artists became one of the big bonuses
in being a publisher or a record producer, jobs which were often combined. For example, Lester Melrose, rightly famed for recording many of the greatest country blues artists for RCA and Columbia for their Chicago ‘race music’ subsidiary, bragged that he had recorded 90% of all the black music African Americans were dancing to across the USA. Dedicated though Melrose was to bringing the blues to a wider audience, he only paid artists a recording fee, and made sure that before they left the studio they had fully surrendered the compositional copyright to their songs over to him. Thus, with no artistic, creative or musical skills, Melrose is said to have gained royalty payments for up to 3,000 blues compositions, whilst not writing a note or a word of any.
Lester Melrose
This would appear to be true, as his tax return for 1938 shows him making a staggering $139,000 – a huge income for the time. Melrose was able to retire to a splendid villa in an orange grove in Florida, where he died in comfort in 1979.[9]
      It didn’t take long for the word ‘blues’ to become a popular addition to a song title. A new musical structure had developed. Primarily a vocal form, lyrically, it wasn’t religious, but secular, although it contained echoes of slavery and field hollers through its call-and-response pattern and the syncopated rhythms of work songs and spirituals. Its hallmarks were a repeating harmonic structure with melodic emphasis on the flatted or “blue” third and seventh notes of the scale. Its common form featured a 12-bar phrase using the chords
of the first, fourth, and fifth degrees of the major scale.
With the advent of the gramophone, records began to match the popularity of sheet music. Although a white Broadway star, Marie
Cahill recorded The Dallas Blues in 1917, and the early 1920s saw the first black blues recordings, and women led the charge. Mamie Smith (1883-1946) was the first African American singer to record. 
Mamie Smith
Her 1920 Crazy Blues, written by Perry Bradford, an experienced Minstrel and Vaudeville performer, was to be followed in 1923 by Ma Rainey’s (1886-1939) Boll Weevil Blues. Fine vocalist though she was, in a variety of popular styles, Mamie Smith wasn’t really a blues singer, but Crazy Blues sold 10,000 recordings the first week and 75,000 within a month. Ma Rainey certainly was a blues singer and went on to make over 100 recordings. These early recordings, with their jazz accompanists; would soon earn the title ‘classic blues.’
      By the end of the 1920s the blues, especially due to classic female artists, had become a major element of African American and American popular music. It even had exposure, often due to Handy’s arrangements, to white audiences in theatres and clubs, such as the Cotton Club and numerous Beale Street venues in Memphis through special blues shows organised by the Theatre Owners Bookers Association The record industry began recording blues performers. New labels such as Okeh Records, Paramount Records and the American Record Corporation, all found it worthwhile to record African American music.

NOTES & SOURCES





[1]Berliner invented many other products, such as an early version of the helicopter, the acoustic tile and a loom which enabled the mass-production of cloth.
[2]www.etymonline.com/index.php?term=blues
[3]www.wordorigins.org/index.php/site/comments/blue_blues/
[4]Gent, R.C. (Ed.)The Times Whistle: A Naïve Daunce of Seven Satires and other Poems. English Text Society, London 1616.
[5]Avakian, George: Liner notes to Louis Armstrong Plays W.C. Handy, Long Playing Record, Label: Columbia CL 591 Canada, 1954
[6]http://www.myzacharias.com/vr/coll/a/armstrong/louis/wchandy.php
[7]http://ragpiano.com/comps/tbennett.shtml
[8]Charters,  Samuel  - The Country Blues. New York: Rinehart. 1959 Reprinted as The Country Blues: Roots of Jazz by Da Capo Press, with a new introduction by the author 1975
[9]Reich, Howard and Gaines, William: Jelly’s Blues: The Life, Music and Redemption of Jelly Roll Morton Da Capo Press, New York, 2004.

Hidden Treasure

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NEVER MIND THE NAZI GOLD TRAIN - 
WHERE'S THE COCOS GOLD?



I crossed the Pacific four times during 1960-1962, and one sunny dawn, when I was at the wheel on the bridge, on the horizon I saw Cocos Island, a place which had fascinated me since I'd read Ralph Hammond's children's novel, Cocos Gold, in 1950.       Cocos Island lies about 550 miles due west of Panama City in Latitude 5 32' 57'' North, Longitude 87 2' 10'' West, and is not to be confused with the Cocos Keeling Islands. It is an awful place. With its oppressive heat, peaks and pinnacles, and its uninhabitable jungles, this is not the idyllic Pacific island of the imagination. Yet, as a place to bury treasure, it is perfect. This is the location which inspired Robert Louis Stevenson to write Treasure Island. There are many accounts of secret caches of treasure on Cocos, and from the various documents I have studied, I offer the following digest.

 
This is all Robert Louis Stevens' fault.
But at least it gave us
Robert Newton, parrots on shoulders
and the overwhelming desire to say "Aaar!"
As Spain’s grip on her colonies began to wane, in 1820 a revolt against ‘the Motherland’ by Peru was imminent. José de San Martín, recognized as the military strategist behind much of the South American struggle for independence, had a bold plan to defeat the Viceroyalty of Peru, the last stronghold of Spanish power        on the continent. With careful planning and meticulous attention to the smallest detail, he was successful. As instructed by San Martin, the city of Lima’s Catholic clergy saw the need to protect the fabulous treasures which had been built up during the centuries since the Spaniards first invaded. This would involve moving the booty far away for safekeeping. For this purpose, a British ship was chosen. Captain William Thompson of the brig Mary Dear  was entrusted with one of the most fabulous treasures ever to grace a vessel’s holds. His mission was to sail with this precious cargo to Mexico. It included two life-sized statues from Lima’s cathedral of the Blessed Virgin holding the Divine Child, each cast in pure gold; 273 jewelled swords and candlesticks, and an enormous hoard of silver and gold artefacts worth some $60,000,000.
Jose de la Serna (San Martin)
          But the ‘Loot of Lima’ was too much for Thompson. As happens to many men faced with the immense temptation of gold, all reason, compassion and humanity      departed him. Once the Mary Dear had left port, Thompson and his crew set about murdering the ship’s passengers. Instead of Mexico, he headed west to Cocos Island, burying the loot in a hidden cave. Now a wanted man, Thompson joined forces with a notorious pirate, Benito Bonito, who had treasure of his own to hide.          Later, the British Navy caught up with Thompson, but although his crew were captured, he escaped. Fearful of being caught, Thompson would not go back to      Cocos. In 1844 he met a stranger called Keating, and one drunken night revealed the          secret of his treasure on Cocos. Keating set about organising an expedition, but Thompson died before the departure. Keating then set
Rascally Captain William
Thompson.
sail with a Captain Bogue, But when they landed on Cocos, although they did uncover treasure, greed and the lust which had driven Thompson before now overtook Captain Bogue and Keating. Their crew mutinied and made off with some loot, whilst Bogue and Keating’s tiny boat, overloaded with treasure, capsized. Bogue drowned and, after drifting in the ocean for some time. Keating was eventually picked up by a passing vessel and was taken to Newfoundland, where he died.

Before his death, Captain Thompson left some instructions for the possible location of the treasure. He had written, concerning a bay known as Chatham Bay:

     "Once there follow the coast line of the bay till you find a creek, where, at high water mark, you go up the bed of a stream which flows inland. Now you step out 70 paces, west by south, and against the skyline you will see a gap in the hills. From any other point, the gap is invisible. Turn north, and walk to a stream. You        will now see a rock with a smooth face, rising sheer like a cliff. At the height of a man's shoulder, above the ground, you will see a hole large enough for you to insert your thumb. Thrust in an iron bar, twist it round in the cavity, and behind you will find a door which opens on the treasure."

     Another version, dictated by Thompson on his death bed, is:
 "Disembark in the Bay of Hope between two islets, in water 5 fathoms deep. Walk 350 paces along the course of the stream then turn north-northeast for 850 yards, stake, setting sun stake draws the silhouette of an eagle with wings spread. At the extremity of sun and shadow, cave marked with a cross. There lies the treasure."

     Keating’s Quartermaster, a poor man named Nicholas Fitzgerald was bequeathed Cocos’s secrets by Keating, but sadly was never financially able to mount an expedition. Fitzgerald's wife wrote a letter containing Keating’s instructions. It is      preserved at the Nautical and Travellers' Club in Sydney, registered under No. 18, 755. It gives these instructions:
     "At two cable's lengths, south of the last watering-place, on three points. The cave is the one which is to be found under the second point. Christie, Ned and Anton have tried but none of the three has returned. Ned on his fourth dive found the entrance at 12 fathoms but did not emerge from his fifth dive. There are no octopuses but there are sharks. A path must be opened up to the cave from the west. I believe there has been a fall of rock at the entrance.”

     In the Caracas Museum lies the breath taking inventory left by Fitzgerald at Coiba:        
"We have buried at a depth of four feet in the red earth: 1 chest; altar trimmings of cloth of gold, with baldachins, monstrances, chalices, comprising 1,244 stones. 1 chest; 2 gold reliquaries weighing 120 pounds, with 624 topazes, cornelians and emeralds, 12 diamonds. 1 chest; 3 reliquaries of cast metal weighing 160 pounds, with 860 rubies and various stones, 19 diamonds. 1   chest; 4,000 doubloons of Spain marked 8. 5,000 crowns of Mexico. 124 swords, 64 dirks, 120 shoulder belts. 28 rondaches. 1 chest; 8 caskets of cedar-wood and silver, with 3,840 cut stones, rings, patents and 4,265 uncut stones. 28 feet to the northeast, at a depth of 8 feet in the yellow sand; 7 chests: with 22 candelabra in gold and silver weighing 250 pounds, and 164 rubies a foot. 12 armspans west, at a depth of 10 feet in the red earth; the seven-foot Virgin of gold, with the Child Jesus and her crown and pectoral of 780 pounds, rolled in her gold chasuble on which are 1,684 jewels. Three of these are 4-inch emeralds on the pectoral and 6 are 6-inch topazes on the crown. The seven crosses are of diamonds.”

     The hoard’s location is thought to be within 100 yards of 5 degrees, 30 minutes, 17 seconds latitude north and 87 degrees, 0 minutes, 40 seconds longitude west, south of the Bay of Hope, north-northeast of Meule Island, possibly in a cave that is     accessible at low tide. One version states that the Loot of Lima is buried in 4 different caches all within 100 yards of each other in an area an eighth of a mile   inland near Chatham Bay. Keating's wife claimed the Loot of Lima was cached in a bay hidden from the open sea with a small crescent-shaped beach with black roots on either side. A German hermit who lived on Cocos, Heinz Hemmeter, thought the treasure was lying in a pool at the bottom of a waterfall.

     The Lima cathedral treasure has been estimated to be worth well over $60,000,000. However, also part of the cargo of the Mary Dearwas the State Treasury, which cannot safely be estimated. Numerous expeditions have attempted to recover this immense wealth but all have failed. Mud slides, rock slides, all manner of geological movements on Cocos have probably obliterated the locations so meticulously catalogued by the pirates. Benito Bonito, famed for his violence as ‘Benito of the Bloody Sword’, is said to have also buried more plunder on the island. In 1819 at Acapulco he intercepted a rich mule train loaded with treasure which he loaded into his ship, the Relampago. Benito’s additional Cocos hoard is listed at around $25,000,000. 300,000 pounds weight of silver bars, plate and coin was hidden in a mountain cave. Using gunpowder, he blew away the face of the cliff. The silver is said to be buried on the north side of Wafer Bay.

     Another Bonito location holds 733 gold bars, 4 by 3 inches in size and 2 inches thick, numerous articles of jewelled church ornaments, 273 gold-hilted swords inlaid with jewels, plus various other valuable items. Bonito was a busy man. A third hiding place is said to conceal iron kettles filled with gold coin.
     Cocos attracted other pirate hoarders. Captain Edward Davis, with his vessel the Bachelor's Delight, was a successful pirate along the western coast of the Americas. He is reputed to have visited Cocos at least twice to bury plunder at Chatham Bay in 1684 and 1702. In addition to 300,000 pounds of silver bar and plate the documents tell us that he “'put away 733 bars of gold, 7 kegs of gold coin and a quantity of church jewels and ornaments…”

     Sir Francis Drake was a regular visitor to the island and has also been suspected of storing loot there. In 1845 in a cave overlooking Wafer Bay a British adventurer discovered a chest containing Spanish gold coins, and in l931, a Belgian treasure        hunter unearthed a 2 foot gold Madonna which was sold in New York for $11,000.      Sailors visiting the island in 1793 noted a peculiar carving on a large rock in Chatham Bay which read: “Look Y. as you goe for ye S. Coco"with four branched crosses, and there is also a carving on a stone of a sombrero which has become known as ‘Bonito’s Hat’. In 1939 a bar of gold was excavated from a stream close to a waterfall on the island. It sold for $35,000. Other stories, their provenance and accuracy questionable, include the discovery by soldiers in the 1880s of over $100,000 in coinage from around the world alongside 300 silver ingots in a cave.

Another hopeful hermit, a German named Gussler, spent years on the island and gave up
after only finding six gold coins.
      
When the soldiers used explosives to blast out the roots of a cedar tree on the shore of Wafer Bay, the explosion revealed a cave containing gold ornaments placed there by one of Bonito’s men, Evan Jones, whose letters were found in a nearby box. There are even legends suggesting that Captain William Kidd buried loot on Cocos.
     One final, fascinating and persistent legend centres on the island’s highest point, Mount Iglesias. It is here that the last remnants of the treasure of the Incas  could have been brought, hidden in a network of caves and still guarded by the last descendants of the Inca race who remain hidden from all visitors.


Discs That Time Forgot

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Soundtrack to Misspent  Youth:
The discs that time forgot.

1959: Ben Hewitt: He came, made a few records, then vanished.
But for a while he made me happy.
Having recently involved myself with the BBC’s forthcoming project, The People’s History of Pop, scheduled for BBC4 TV next year, (whether anything I have to offer is of any value remains debatable) I was inspired to shuffle through my box of ancient 45rpm records, at least those which have survived over the past  six decades. Dusting these down a few oddities emerged to remind me of a time when everything seemed possible, a time of energy, enthusiasm, adventure. (In effect, youth …) Rock and Roll, bless it,
I couldn't afford a ticket to this,
but I waited around the back
stage door of the Regal.
When Buddy threw some photographs
from a dressing room window,
I got trampled in the scramble,
but never got a copy ...
but I have all his recordings now.
had only just arrived, and any record that took my fancy on the fuzzy airwaves of Radio Luxembourg or the even more fade-in-fade-out American Forces Network was eagerly hunted down. Back then, in the 1950s, apart from the Light Programme’s  Two Way Family Favourites, you would be lucky to hear more than 30 minutes of pop music a week  on BBC Radio. It was ‘common’ and low-rent, until the charts began at the NME and someone had to take notice and give us what we desired - Rock and Roll.  I earned just about enough with my newspaper delivery round to afford a single every week. That’s how I discovered Little Richard, Chuck Berry, Jerry Lee Lewis and
One of the best 50's records never played today;
It was a top ten
hit in Britain, but
Marvin never scored with it in his
homeland, the USA.
And I don't know who Colin Cater is.
Jackie Wilson, and dozens more, including Elvis. On the weeks when there was no desired record to track down, I’d use the money to go to the cinema.

My first ten discs in 1957 were 10” 78 rpms and I no longer have them. But some of the old 45s remain. Even early Lonnie Donegan. He came first, then for a while, Hank Marvin and The Shadows. Looking at them now is like staring down a time tunnel to a simpler, more positive era. Why I bought some of these, such as Ben Hewitt or Don French, escapes me now. But these discs remain as distant facets of a colourful teenage life, the first steps towards decades of exciting musical discovery.
It would lead to the Blues, to Howlin' Wolf, Muddy Waters, John Lee Hooker and B.B. King. Which all reminds me, this week on BBC Radio 4 Desert Island Discs features Keith Richards. That's going to be interesting ....
My Jerry Lee Lewis EP: wonder what became of the cover?
The Beatles, not on Parlophone, but the German label, Odeon
I have 2 of their singles on Odeon. I don't suppose they're
collectible, but a nice conversation piece.
A fine record. Still love this.

A real oddity, but from the 1970s. I worked for a while
for Polydor Records and was given this single sided
pre-release acetate by The Sweet. Wonder if it's worth anything?
Oh yes. Teenage angst beyond compare. Apparently French
gave up  music to continue his education and became
a successful businessman. But he left us this. 
     

THE ART OF DARKNESS

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THE ART OF DARKNESS
Andreas Paul Weber 1893-1980
Speculating on death


In April 1995 I visited Dachau Concentration Camp for The New Statesmanmagazine to write a feature (entitled Hell Was Here) on the 50th anniversary of the camp’s liberation. I’d imagined that Munich in April, being far south of Mansfield, would be mild and spring-like. No chance. It was freezing, and I recall the bitter sleet slashing against the train windows on the short journey from Munich Bahnhof to Dachau.

My fellow passengers disembarking at Dachau were a mix of elderly tourists and high school pupils. The older visitors included several Americans. Cold and icy, the weather seemed apt for such a destination, but that day was not without its humour.  There was a minibus waiting outside Dachau railway station which took people to the concentration camp. As we clambered on board, I noticed the driver, obviously of the new, post-war generation of Germans. He was huge, bearded and long-haired, wearing a black t-shirt emblazoned with some heavy metal rock calligraphy. As we all shuffled into the bus interior, our colossal chauffeur turned in his seat and bellowed forcefully at us all in the kind of German accent only heard in British B-movies:

    You vill all move down zer bus und be seatednow!” At this a small, elderly American guy who may well have been Jewish, piped up in a New York accent;

   “Gee, buddy - ya sure make these trips authentic!”


I spent most of that bitter day walking around the camp. All the main huts, but for a couple, had been demolished, but the Crematorium remained, as did the watchtowers and original SS barracks. There was an oppressive, doomy ambience to the place; no doubt this was to be expected considering the misery, death and torture which had existed there. It was the first of such establishments to be set up by Himmler as early as 1933, the idea being that the Nazis should imprison people as a ‘preventative’ measure - in effect, if they suspected that you might commit a crime, then that was reason enough to lock you up. And, of course, if you were a communist, a dissident, a critic of the party, and although the ‘Final Solution’ hadn’t been established yet, the first batch of inmates included numerous Jews.

It was in the SS barracks, where such awful remnants of mistreatment were displayed, like the whipping block, where prisoners would be tied down for sadistic punishment that I paused with an intake of breath at some framed lithographs. They were some of the most sinister, disturbing art I’d ever seen.

WEBER IN 1979
Andreas Paul Weber (1893-1980) was one of the Third Reich’s first dissidents. His name rarely appears in dictionaries of art. In 1928, appalled at the rise of National Socialism, aged 35 he joined Ernst Niekisch’s anti-Nazi circle and began illustrating books for the Widerstands-Verlag (Resistance Press). When Hitler came to power, the Resistance Press was immediately banned and Weber was arrested and committed to Dachau Concentration Camp. Today there is a Paul Weber Museum in Ratzeburg, a town in Germany south of Lubeck. I would dearly like to go there and see Weber’s originals. There is a sinister darkness to his lithographs depicting the rise of Nazism, it’s corrosive invasion into private life and the hypocrisy of the war years.

'The Informer'
Yet there are blind spots in the museum’s biography of Weber; for example, when he was discharged from Dachau before the war, he at least managed to visit Cuba, and then during the war his work seems to have been (mis?)used by the Nazis. He was drafted in WW2. He did a series of works criticising Imperialism, The Britische Bilder (The British Pictures) producing over one hundred sketches and drawings to protest against Imperialism and Colonialism. In the 60s and 70s Weber became an avid supporter of the ecological movement. He maintained a love of nature and peace throughout his life, detested militarism, pollution, and devoted his art to themes such as justice.  This paragraph from the museum’s website succinctly explains Weber;

          Death is an important theme in Weber's work, as is the figure of the fool, which is a common character in his drawings. The artist identified himself with his figure, which was inspired by the historical joker Eulenspiegel, who lived a few miles from Ratzeburg in the town of Mölln, and by the medieval court jester. Weber envisioned himself as a court jester, because in this position he  could tell uncomfortable truths without being punished.
Titled 'Doom' this was the way Weber predicted National Socialism would go -
straight into the grave.

When it comes to capturing the dark mood of the underbelly of world politics, capitalism and war, every time I think about Dachau I now think about Andreas Paul Weber.  During his 87 years, he produced nearly 3,000 lithographs, hundreds of wood cuts, more than 200 oil paintings and several thousand other drawings. And still he has the power to chill me to the bone.
'The Meeting' 1932




R.I.P. JO COX

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IN HEAT AGAIN

Do not rejoice in his defeat, you men.
For though the world has stood up and stopped the bastard,
the bitch that bore him is in heat again.”
Bertolt Brecht

Source; Referring to Arturo Ui (representing Adolf Hitler),
in The Resistible Rise of Arturo Ui (1941)

I wrote this short poem (Birstall, below) on the day of Jo Cox's murder. Bob Geldof had also been in the news by taunting hard-working fishermen over their anti-Europe stance. Perhaps the multi-millionaire aging one-time vague pop star ought to be made to spend three weeks at sea trying to fish under EEC fishing regulations rather than cruising along the Thames with his yahoo bubbly-quaffing companions. Yet my stand on FaceBook over certain aspects of the Leave campaign's tactics saw me lambasted with hate; even a balanced, compassionate article in the Guardian I'd posted by Polly Toynbee was interpreted by the nouveau FaceBook fascists as 'stoking hatred' against Britain. They could see no connection between Geldof and Jo Cox's execution. So what this whole referendum thing has achieved is safety for the dark underbelly of xenophobia and flag-waving, gun-boat jingoism to finally slither from under history's heavy rock. Perhaps, unfairly tenuous though this suggestion is, they now have a dark champion in Tommy Mair. He encapsulated the leaver's national sense of hate and frustration. I was hoping for the 'debate' (a misnomer if ever there was one) to guide me as to whether I should vote in or out. I have made my decision now. I will abstain. All I will say is this: in 1981 as a pupil at Dulwich College, Nigel Farage was well-known for his fascist sympathies. So in the months or years to come, as the new right wing parties of Austria, Germany and France unite, as the toxic ant-compassionate views of not only Gove, Farage and Boris Johnson, but Cameron and his cronies gain traction, when the jackboots are being polished and our civil liberties reined in, at least my conscience will be clear - I didn't vote for it all. 

BIRSTALL 14.6.16


I saw a picture of the killer
A man in camouflage fatigues
He was thin and sallow,
Bland, inconsequential
Banal, vanilla-flavoured.
Yet behind the barrier of his eyes
The horror: a vicious pettiness
Hid itself away.
Yet for one day he let it out.

In him I saw the combination
Of computer propaganda
CGI warrior, terminator,
Predator, storm trooper, imaginary soldier,
Illusory avenger, star of
This month’s new releases,
With their Panzers, Uzzis, AK47s,
Medieval swordsman, Samurai,
The Ninja, all Hell’s heroes
Behind a reclusive killer’s eyes.

And all around his loathsome life
His steady hate encouraged
By fires of fury stacked and stoked
By the silver lizard tongues
In suits and ties, men far removed
From the killer’s prosaic being
As they wave their manifestos
Smile in secret, forget their education,
Protected by their privilege and wealth
They dismiss their toxic, lone assassin
Yet whilst feeding on our fears
Like crocodiles, shed tears.


LITTLE HINGERLAND

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It Woz us Wot Won it!


Thank heavens that’s over! I’m writing this, bleary-eyed, at 8.30 am on the sunny morning Britain decided to pull up the drawbridge. Napoleon once called us ‘a nation of shopkeepers’, but he also said ‘Glory is fleeting, obscurity is forever’. In turning our back on the world, have we chosen obscurity? That remains to be seen. One thing seems sure; that is that we can’t shake off the baggage of our imperial past, so now we’re trying to carve a future from the tombstone of our long-dead empire. As the saying goes, those who cannot remember the past are condemned to repeat it.

     No matter how the vote panned out, in my opinion this referendum was totally unnecessary and it has split the country down the middle. It cost Jo Cox her life, and her killer will feel ‘justified’ as we spend many thousands of pounds keeping him in comfortable incarceration for the rest of his pathetic life.  It saw Yvette Cooper’s children and grandchildren threatened with death. It has divided families and old friends, some of whom have revealed such dark, xenophobic tendencies which may well separate us for good.


    And who are the victors? Rupert Murdoch and Lord Rothermere, and, of course, the rich - in or out, they’ll continue getting richer. If you thought the government of David Cameron was right wing, then once the new champions, Boris Johnson, Iain Duncan Smith, Nigel Farage and Michael Gove take over, allied to the possible new President of the USA, Brexit supporter Donald Trump, the pre-referendum UK government will seem like communists. Whatever Britain’s ordinary working people have gained in social terms over the past four decades is now under threat. If you study history, call this an extreme view if you wish, but in my opinion there’s an ambience of Munich, 1933 in the air. Why?
EVERYONE LOVES A WINNER!

   There are 13 far-right Eurosceptic political parties celebrating our choice. Germany’ssinister Alternative for Germany party, led by Ms. Frauke Petry were keen for Britain to vote out, as was the ultra-racist right wing Dutch Freedom Party and Le Pen’s French Front Nationale. Now we face many dilemmas. Are Mansfield’s Poles, Latvians and Estonians, no longer beneficiaries of free European movement, about to be sent home? Will our EU traveller’s Health Cards become invalid? Will all the promises about an improved NHS be fulfilled? Now it has achieved its aim, will UKIP be disbanded? On a more humourous note, will garlic now be banned, and shall we dump ‘foreign muck’ like spaghetti Bolognese, pizza, chicken balti and kebabs? Shall we block the Eurotunnel off with straight bananas and French cheese?   

In his speech to young students at Zurich University in 1946, Winston Churchill called for a “United States of Europe, based on justice, mercy and freedom” saying “We are asking the nations of Europe between whom rivers of blood have flowed to forget the feuds of a thousand years.”  Well, here we all happily are, back where we started in ‘Little England’.






CAMERON AT CLEETHORPES

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ON THE PROMENADE


How did he feel on this dark dawn,
Waking early, crushed, forlorn,
The night behind him, with no sleep
With one appointment still to keep?

For vanquished souls, eager to flee
Cleethorpes was no place to be.
Flanked by soldiers, all decorated,
Stone faced he stood and grimly waited.

A page of Eton’s education
Missed from the handbook of the nation
How to spin this deep rejection
As revulsion rolled in his direction.

Overhead the fly-past growled
Help for Heroes patriots scowled
But he could see he was now hated
His Bullingdon youth, evaporated.

From the shaven headed, tattooed crowd
The cry of ‘Traitor’ rang out loud
For one fleeting moment I could see
For once he deserved sympathy

But he’ll survive and take the ermine
Because he’s one of Bevin’s ‘vermin’
The Neanderthal horde continued hissing
It was quite clear who they were missing.
  
In place of that man standing there
Would they have cheered for Tommy Mair?
As to our dark future we all grope,
Where fear and hatred replace hope.

Hidden Treasure

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NEVER MIND THE NAZI GOLD TRAIN - 
WHERE'S THE COCOS GOLD?



I crossed the Pacific four times during 1960-1962, and one sunny dawn, when I was at the wheel on the bridge, on the horizon I saw Cocos Island, a place which had fascinated me since I'd read Ralph Hammond's children's novel, Cocos Gold, in 1950.       Cocos Island lies about 550 miles due west of Panama City in Latitude 5 32' 57'' North, Longitude 87 2' 10'' West, and is not to be confused with the Cocos Keeling Islands. It is an awful place. With its oppressive heat, peaks and pinnacles, and its uninhabitable jungles, this is not the idyllic Pacific island of the imagination. Yet, as a place to bury treasure, it is perfect. This is the location which inspired Robert Louis Stevenson to write Treasure Island. There are many accounts of secret caches of treasure on Cocos, and from the various documents I have studied, I offer the following digest.

 
This is all Robert Louis Stevens' fault.
But at least it gave us
Robert Newton, parrots on shoulders
and the overwhelming desire to say "Aaar!"
As Spain’s grip on her colonies began to wane, in 1820 a revolt against ‘the Motherland’ by Peru was imminent. José de San Martín, recognized as the military strategist behind much of the South American struggle for independence, had a bold plan to defeat the Viceroyalty of Peru, the last stronghold of Spanish power        on the continent. With careful planning and meticulous attention to the smallest detail, he was successful. As instructed by San Martin, the city of Lima’s Catholic clergy saw the need to protect the fabulous treasures which had been built up during the centuries since the Spaniards first invaded. This would involve moving the booty far away for safekeeping. For this purpose, a British ship was chosen. Captain William Thompson of the brig Mary Dear  was entrusted with one of the most fabulous treasures ever to grace a vessel’s holds. His mission was to sail with this precious cargo to Mexico. It included two life-sized statues from Lima’s cathedral of the Blessed Virgin holding the Divine Child, each cast in pure gold; 273 jewelled swords and candlesticks, and an enormous hoard of silver and gold artefacts worth some $60,000,000.
Jose de la Serna (San Martin)
          But the ‘Loot of Lima’ was too much for Thompson. As happens to many men faced with the immense temptation of gold, all reason, compassion and humanity      departed him. Once the Mary Dear had left port, Thompson and his crew set about murdering the ship’s passengers. Instead of Mexico, he headed west to Cocos Island, burying the loot in a hidden cave. Now a wanted man, Thompson joined forces with a notorious pirate, Benito Bonito, who had treasure of his own to hide.          Later, the British Navy caught up with Thompson, but although his crew were captured, he escaped. Fearful of being caught, Thompson would not go back to      Cocos. In 1844 he met a stranger called Keating, and one drunken night revealed the          secret of his treasure on Cocos. Keating set about organising an expedition, but Thompson died before the departure. Keating then set
Rascally Captain William
Thompson.
sail with a Captain Bogue, But when they landed on Cocos, although they did uncover treasure, greed and the lust which had driven Thompson before now overtook Captain Bogue and Keating. Their crew mutinied and made off with some loot, whilst Bogue and Keating’s tiny boat, overloaded with treasure, capsized. Bogue drowned and, after drifting in the ocean for some time. Keating was eventually picked up by a passing vessel and was taken to Newfoundland, where he died.

Before his death, Captain Thompson left some instructions for the possible location of the treasure. He had written, concerning a bay known as Chatham Bay:

     "Once there follow the coast line of the bay till you find a creek, where, at high water mark, you go up the bed of a stream which flows inland. Now you step out 70 paces, west by south, and against the skyline you will see a gap in the hills. From any other point, the gap is invisible. Turn north, and walk to a stream. You        will now see a rock with a smooth face, rising sheer like a cliff. At the height of a man's shoulder, above the ground, you will see a hole large enough for you to insert your thumb. Thrust in an iron bar, twist it round in the cavity, and behind you will find a door which opens on the treasure."

     Another version, dictated by Thompson on his death bed, is:
 "Disembark in the Bay of Hope between two islets, in water 5 fathoms deep. Walk 350 paces along the course of the stream then turn north-northeast for 850 yards, stake, setting sun stake draws the silhouette of an eagle with wings spread. At the extremity of sun and shadow, cave marked with a cross. There lies the treasure."

     Keating’s Quartermaster, a poor man named Nicholas Fitzgerald was bequeathed Cocos’s secrets by Keating, but sadly was never financially able to mount an expedition. Fitzgerald's wife wrote a letter containing Keating’s instructions. It is      preserved at the Nautical and Travellers' Club in Sydney, registered under No. 18, 755. It gives these instructions:
     "At two cable's lengths, south of the last watering-place, on three points. The cave is the one which is to be found under the second point. Christie, Ned and Anton have tried but none of the three has returned. Ned on his fourth dive found the entrance at 12 fathoms but did not emerge from his fifth dive. There are no octopuses but there are sharks. A path must be opened up to the cave from the west. I believe there has been a fall of rock at the entrance.”

     In the Caracas Museum lies the breath taking inventory left by Fitzgerald at Coiba:        
"We have buried at a depth of four feet in the red earth: 1 chest; altar trimmings of cloth of gold, with baldachins, monstrances, chalices, comprising 1,244 stones. 1 chest; 2 gold reliquaries weighing 120 pounds, with 624 topazes, cornelians and emeralds, 12 diamonds. 1 chest; 3 reliquaries of cast metal weighing 160 pounds, with 860 rubies and various stones, 19 diamonds. 1   chest; 4,000 doubloons of Spain marked 8. 5,000 crowns of Mexico. 124 swords, 64 dirks, 120 shoulder belts. 28 rondaches. 1 chest; 8 caskets of cedar-wood and silver, with 3,840 cut stones, rings, patents and 4,265 uncut stones. 28 feet to the northeast, at a depth of 8 feet in the yellow sand; 7 chests: with 22 candelabra in gold and silver weighing 250 pounds, and 164 rubies a foot. 12 armspans west, at a depth of 10 feet in the red earth; the seven-foot Virgin of gold, with the Child Jesus and her crown and pectoral of 780 pounds, rolled in her gold chasuble on which are 1,684 jewels. Three of these are 4-inch emeralds on the pectoral and 6 are 6-inch topazes on the crown. The seven crosses are of diamonds.”

     The hoard’s location is thought to be within 100 yards of 5 degrees, 30 minutes, 17 seconds latitude north and 87 degrees, 0 minutes, 40 seconds longitude west, south of the Bay of Hope, north-northeast of Meule Island, possibly in a cave that is     accessible at low tide. One version states that the Loot of Lima is buried in 4 different caches all within 100 yards of each other in an area an eighth of a mile   inland near Chatham Bay. Keating's wife claimed the Loot of Lima was cached in a bay hidden from the open sea with a small crescent-shaped beach with black roots on either side. A German hermit who lived on Cocos, Heinz Hemmeter, thought the treasure was lying in a pool at the bottom of a waterfall.

     The Lima cathedral treasure has been estimated to be worth well over $60,000,000. However, also part of the cargo of the Mary Dearwas the State Treasury, which cannot safely be estimated. Numerous expeditions have attempted to recover this immense wealth but all have failed. Mud slides, rock slides, all manner of geological movements on Cocos have probably obliterated the locations so meticulously catalogued by the pirates. Benito Bonito, famed for his violence as ‘Benito of the Bloody Sword’, is said to have also buried more plunder on the island. In 1819 at Acapulco he intercepted a rich mule train loaded with treasure which he loaded into his ship, the Relampago. Benito’s additional Cocos hoard is listed at around $25,000,000. 300,000 pounds weight of silver bars, plate and coin was hidden in a mountain cave. Using gunpowder, he blew away the face of the cliff. The silver is said to be buried on the north side of Wafer Bay.

     Another Bonito location holds 733 gold bars, 4 by 3 inches in size and 2 inches thick, numerous articles of jewelled church ornaments, 273 gold-hilted swords inlaid with jewels, plus various other valuable items. Bonito was a busy man. A third hiding place is said to conceal iron kettles filled with gold coin.
     Cocos attracted other pirate hoarders. Captain Edward Davis, with his vessel the Bachelor's Delight, was a successful pirate along the western coast of the Americas. He is reputed to have visited Cocos at least twice to bury plunder at Chatham Bay in 1684 and 1702. In addition to 300,000 pounds of silver bar and plate the documents tell us that he “'put away 733 bars of gold, 7 kegs of gold coin and a quantity of church jewels and ornaments…”

     Sir Francis Drake was a regular visitor to the island and has also been suspected of storing loot there. In 1845 in a cave overlooking Wafer Bay a British adventurer discovered a chest containing Spanish gold coins, and in l931, a Belgian treasure        hunter unearthed a 2 foot gold Madonna which was sold in New York for $11,000.      Sailors visiting the island in 1793 noted a peculiar carving on a large rock in Chatham Bay which read: “Look Y. as you goe for ye S. Coco"with four branched crosses, and there is also a carving on a stone of a sombrero which has become known as ‘Bonito’s Hat’. In 1939 a bar of gold was excavated from a stream close to a waterfall on the island. It sold for $35,000. Other stories, their provenance and accuracy questionable, include the discovery by soldiers in the 1880s of over $100,000 in coinage from around the world alongside 300 silver ingots in a cave.

Another hopeful hermit, a German named Gussler, spent years on the island and gave up
after only finding six gold coins.
      
When the soldiers used explosives to blast out the roots of a cedar tree on the shore of Wafer Bay, the explosion revealed a cave containing gold ornaments placed there by one of Bonito’s men, Evan Jones, whose letters were found in a nearby box. There are even legends suggesting that Captain William Kidd buried loot on Cocos.
     One final, fascinating and persistent legend centres on the island’s highest point, Mount Iglesias. It is here that the last remnants of the treasure of the Incas  could have been brought, hidden in a network of caves and still guarded by the last descendants of the Inca race who remain hidden from all visitors.


EVERYTHING'S NOT GONNA BE OK

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Everything’s Notgonna be OK.



Nihilism

/ˈnʌɪ(h)ɪlɪz(ə)m/

noun: nihilism



The rejection of all religious and moral principles, often in the belief that life is meaningless.

Synonyms: negativity, cynicism, pessimism; More
rejection, repudiation, renunciation, denial, abnegation;
disbelief, non-belief, unbelief, scepticism, lack of conviction, absence of moral values, agnosticism, atheism, non-theism

•Philosophy; the belief that nothing in the world has a real existence.

•Historical; the doctrine of an extreme Russian revolutionary party circa  1900 which found nothing to approve of in the established social order.



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There are a number of favourite, all-time repetitive lines in almost all Hollywood movie screenplays. They include classics such as “This ain’t lookin’ good”, “You’ve got 48 hours” and “You’re suspended - I want your badge and your gun” or “We gotta get out of here, now!” and usually when some whiney American infant wheedles something like “Day-ddy, what’s wrawngwith Mawmmy?” the classic reply will forever be “Everything’s gonna be OK.” And in Hollywoodland, it usually is. But most of us don’t live in tinsel town. For at least 50% of the world things are certainly not ‘gonna be OK’ at all.

Perhaps the make believe world of California can almost be regarded as another planet altogether. The sun shines each day there, our entertainment is crafted and constructed, and it is beamed around the globe as a small screen palliative against the true hopelessness of life in many lands Americans may never have heard of, let alone visited. Alongside those distant, dark, depressing destinations is the middle ground of economic existence, Europe, a concept which once included the British Isles, a.k.a. the United Kingdom. No longer. Britain (we can drop the ‘Great’ - it’s no longer relevant) now floats politically and economically in the North Sea like one of those abandoned rotting hulks of the Mulberry Harbours  so brilliantly constructed for D-Day, which can still be seen rusting in the waves off the Normandy coast.

I am glad now to be old, past my three score and ten. The calendar ahead is dramatically shorter than the one behind me. But this is providential, as I shall not have to experience the struggles to come. It seems that in my British lifetime, every political, social and economic game plan has been rolled out, tried half-heartedly, and then, as the immorality and visible greed of politicians and business magnates has grown, the dog-eared ideas, only dusted down for elections, are thrown back in the Westminster wheelie bin. I say ‘every’ political plan - but one. That’s fascism, and the rigours of 20thcentury historical reality have forbidden ‘good and decent’ politicians from trying this. Yet its elements, spreading like carcinogenic cells from the tumour of  old Europe, are slowly losing their repulsiveness.Fascism is a tool to destroy the workers' movements and secure rule by the upper classes. This element has already been in motion since 1979, and is always on the political agenda. Fascism suggests that ‘we’re all in it together’, and succeeds by appealing to the people and to their most primitive prejudices and needs, while actually pursuing the interests of the already rich, who must always be allowed more wealth. If this situation sounds familiar in modern Britain, then although the jackboots and the brown shirts are not out of the wardrobe yet, they are being polished and pressed by the handmaidens of UKIP.

THE ATTRACTIVE FACE
OF THE NEW ORDER;
GERMANY'S
BREXIT-SUPPORTING
FAUKE PETRY

For anyone of a liberal persuasion, or dangerously further to the left as I am, the vote to leave the European Union was the loudest foghorn or alarm bell of approaching fascism, something I never dreamed would sound out across this country in my lifetime. Worse still, I find myself living in a town which could be as rabidly racist as Vienna in 1938. I came to Mansfield for the convenience of its location when I was at the height of my career in sales and marketing in 1987. Back then there were 13 coal mines here. It was as blue collar as you could get. Labour MP, Labour Council. Today Tories (masquerading as ‘Independents’) run the District Council. We still have a Labour MP, but one of the metro-centric beige types who the establishment have rewarded with a knighthood. There are no coal mines here at all now. All closed, yet whilst Britain’s electricity still relies 40% on coal, we import it now from Russia, Poland and distant Colombia. Bulky, ebullient tattooed men (those still with jobs) who once worked down the pit now man the tills at Tesco. Mansfield has a large, thriving population of Poles and eastern Europeans. Walking round the supermarket on a Friday night is like being in Bratislava. And this colourful rainbow of legal, hardworking humanity on the move is the very thing which has been manipulated into the fascist clay to bake the xenophobic bricks of the new Brexit order. Over 70% of Mansfield’s electorate voted ‘out’ in the referendum. As the new fascism slowly grows flesh on its brittle bones, it will have no more fertile ground than right here on my doorstep.


ANOTHER NICE FASCIST WHO
LOVED BREXIT: MARINE LE PEN
As a left wing socialist I had already long abandoned any hope that the naïve dreams of my youth could ever become reality. Although I have benefited all my life from the great Spirit of 1945, saved frequently by the safety net of the Welfare State and the NHS, I had always fought and hoped for that sense of fairness and egalitarianism engendered in the ideas of  Aneurin Bevan to become the norm. But fascism, this new, moneyed version, does not allow for such luxury. Without their golden carrot on the long stick dangled from Canary Wharf,  Britain’s one-time ‘proletariat’ have nothing to aspire to. A cloying treacle of celebrity, benefits porn, bake-offs, strictly come dancing and rabid tabloid propaganda has been poured into the fuel tank of human progress. It is manufactured by the real Masters of the New Universe: Rupert Murdoch, Lord Northcliffe, the Barclay Brothers and all their well-rewarded acolytes in Parliament and the City, captained by the products of Eton, Harrow, Oxford and Cambridge. What was once regarded as an elected government no longer serves its electorate’s needs. The Labour Party included (‘labour’ is a term it should abandon forever), Westminster exists only to progress and make real the diktat of aggressive capitalism, a darker, more virulent extension of the ideas of Milton Friedman and the creepy, spidery remnants from the dank cellar of Thatcherism.  And so, as Goebbels astutely observed;

           “If you tell a lie big enough and keep repeating it, people will  eventually come to believe it. The lie can be maintained only for such time as the State can shield the people from the political, economic and/or military consequences of the lie. It thus becomes  vitally important for the State to use all of its powers to repress  dissent, for the truth is the mortal enemy of the lie, and thus by  extension, the truth is the greatest enemy of the State.”

Therein lies the success of the Brexit vote. Foreigners are bad. Where now is that mythical £350 million per week we can give to the NHS? There are many more facets to the referendum lies package from both sides of the campaign. Those few politicians (a miniscule minority) who sometimes bleat out truths,
the Dennis Skinners and Jeremy Corbyns of our new world, are Westminster’s court jesters, the shaggy dogs the rich wipe their greasy hands on at their frequent banquets. The champions of the Big Lie think nothing of sending young men to die in some forlorn cause. Tony Blair, that great Thespian of modern politics, is the very embodiment of the self-serving, money-worshipping hypocrite who can lean back on his soft mattress of banknotes and cry theatrical tears for his ‘mistakes’ for the eager media. Westminster’s club members can talk the talk, but walking the walk, their legs buckle beneath them. They will let our privacy be sold off because GCHQ must be the tool for control in the New Order. They cry crocodile tears for the NHS whilst taking bribes from lobbyists for privatisation. They hate the very idea of the public owning anything, because anything and everything can make a profit in the right hands, and profit does not exist for the progress of the nation; profit is for the rich. Thus we have a colourful assortment of Mickey Mouse railways and bus companies, a hi-jacked postal service where stamps cost more than a ream of the paper we write on, belligerent insurance and payday loan companies hiding behind false facades of ‘customer care’… the catalogue of calumny is as long as the Chilcot Report.




Hiding in my little fortress in my embattled corner of the New Reich I now look back in sadness, anger and sorrow. Outside, beyond the closed curtains of my fading world the tattooed masses shuffle along, thumbs a blur as they stare down at their I-phones texting God knows who. The new Daily Mail-reading  Sturmabteilung is growing like a field of weeds, and soon ‘Little England’, isolated, backward, insular and xenophobic, having turned its inked back upon the world, will forget all the hope and potential goodness it once imagined it stood for. There is nothing left now. A bottle of beer, a smoke, a DVD, a good book, bed, a few more weeks, months, perhaps years of breathing, followed by welcome death.

I feel sorry for you, young England, and I feel guilty, because I have a past where hope reigned supreme. Your present, your choice, and your future will never know anything like it. I never imagined myself as a Nihilist, but now I’ve got the T-shirt, and it fits me very well.
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